• 專題演講:海震(中國戲曲學院教授)
    講題:華語戲劇即興表演及演唱的傳統、斷裂及生機:從大衆戲劇角度的觀察

  • Academic Seminars
    Keynote speech:  Given by HAI Zhen (Professor of National Academy of Chinese Theatre Arts)
    Title of the speech: The Tradition, Disruption and Vitality of Improvisatorial Performances of Chinese Theatre: Observations from the Perspective of Popular Theatre

  • 學者簡歷與論文題目
    Paper Presenters and Topics

  • 中野正昭(日本早稻田大學演劇博物館招聘研究員):從輕戲劇中看歐美之接收與變換——以健(榎本健一)的電影為中心
    NAKANO Masaaki (Contract researcher of The Tsubouchi Memorial Theatre Museum of Waseda University, Japan): The Reception and Adaptation of European and American Entertainments as are Observed in Japanese Light Comedies—A Study Based on the ENOKEN(ENOMOTO Kenichi)’s Films

  • 李孟勳(中央研究院台灣史研究所博士後研究):日治時期沖繩人川平朝申家族在台灣之戲劇活動
    LI Meng-Hsun (Postdoctoral researcher of Institute of Taiwan History, Academia Sinica):The Theatrical Activities of the Okinawan Family of KABIRA Choushin in the Japanese Colonial Period in Taiwan

  • 林于竝(國立臺北藝術大學戲劇學系副教授兼學務長):日本戰後劇場當中的大眾戲劇: 鈴木忠志導演西哈諾的幾個分析
    LIN Yu-Pin (Associate professor of the Department of Theatre Arts / Dean of Student Affairs, Taipei National University of the Arts): Popular Drama in the Post-war Japanese Theatre: A Few Analyses of Tadashi Suzuki’s Presentation of Cyrano

  • 林雅嵐(國立臺北藝術大學舞蹈學系助理教授):南管戲的海外離散與異地新生──以李祥石一脈的傳承為討論中心
    LIN Ya-Lan (Assistant professor of the Department of Dance, Taipei National University of the Arts): Nanguan Opera’s Diaspora Abroad and Its Rebirth in New Lands—A Study of the Heritage of LI Hsiang-Shih 

  • 金香(延世大學公演藝術研究中心專門研究員兼講師):1930年代韓國唱劇的形成與其大眾性(英文發表)
    KIM Hyang (Researcher of Center for Performing Arts Studies of Yonsei University∕/Lecturer of Department of Korean language and Literature of Yonsei University):Formation of Korean Changgeuk (An Opera) Based on Pansori in the Period of 1930s and its Popularity (Presented in English)

  • 施穎彬(英國雪菲爾大學音樂系民族音樂學博士):從娛神到娛人的功能遞變看北管戲曲的臺灣化
    SHIH Ying-Pin (PhD of the University of Sheffield, Studying ethnomusicology in Music Department) : The Taiwanisation of Beiguan (Luantan) Opera: from Entertaining Deities to Entertaining People

  • 洪榮林(韓國延世大學人文學研究院公演藝術研究所研究員):關於韓國女性國劇和台灣歌仔戲大眾指向性的比較研究-─以林春鶯劇團和拱樂社為中心
    HONG Younglim (Researcher of Center for Performing Arts Studies of Yonsei University∕Lecturer of Department of Chinese Language and Literature of Yonsei University): A Comparative Study of Audience Orientation between Korea's Female Kukkuk and Taiwan's Gezaixi(Kua-a-hi): Focusing on Im-Chun-Aeng Troupe and Gong-Le-She Troupe in the 1950s and 1960s

  • 宮信明(早稻田大學演劇博物館講師):從「日常」到「非日常」――寄席的「近代化」與技藝之變化
    MIYA Nobuaki (Lecturer of The Tsubouchi Memorial Theatre Museum of Waseda University): From Being Common to Being Uncommon—the Modernization of Yose and Changes in Art


    秦嘉嫄(國立成功大學中國文學系助理教授):商業主義中的歌仔戲女性表演美學
    CHIN Jia-Iuan (Assistant professor of Chinese Literature Department in National Cheng Kung University):Commercialism and Hybridization of Women’s Performance in Gezaixi
  • 細井尚子(日本立教大學異文化溝通學部、異文化溝通學科教授):日本特有之興行制--松竹所創造之「近代化」
    HOSOI Naoko (Professor of College of Intercultural Communication, Rikkyo University, teaching courses on intercultural communication): Japanese Unique System of Running Show Business—the Modernization created by Shochiku

  • 許書惠(國立臺北藝術大學戲劇學系博士班):日治臺北的日本戲劇演出與劇場經營──以榮座為例
    SHU Shu-Hui (Doctoral student of the Department of Theatre Arts in Taipei National University of the Arts): Japanese Theatrical Performances and Management of Theatres in Japanese Colonial Taipei—A Study of Sakaeza

  • 森平崇文(日本神戶學院大學全球通訊學部准教授):御宅(OTAKU)藝的傳播――從秋葉原到上海
    MORIDAIRA Takafumi (Associate professor of Faculty of Global Communication in Kobe Gakuin University): The Spread of Otaku Art—From Akihabara to Shanghai

  • 劉南芳(國立成功大學台灣文學系副教授):「離開民間」——從編劇角度看臺灣歌仔戲「音樂設計」的轉變
    LIU Nan-Fang (Associate professor of Department of Taiwanese Literature in National Cheng Kung University): “Away from Folk Tradition”—Observations of Changes in Music Design of Taiwanese Operas from the Perspective of a Playwright

  • 輪島裕介(日本大阪大學文學研究科准教授):何謂「座長(演出團長)公演」:從音樂史與戲劇史之夾縫中叩問
    WAJIMA Yusuke (Associate professor of Musicology in Graduate School of Letters, Osaka University): What is “Troupe Leader Public Performance (座長公演)”?: An Investigation from between Music History and Theatre History

  • 簡秀珍(國立臺北藝術大學傳統音樂系副教授):國際關係下的演藝活動: 日本奇術團天勝一座與「偽天勝娘」1910年代到1930年代的上海演出
    JIAN Hsiu-Jen (Associate Professor of Department of Traditional Music in Taipei National University of the Arts): Performing Activities in the Context of International Relations: the Japanese Tenkatsu Vaudeville Magic Troupe’s and the FakeTenkatsu Ladies’ Performances from the 1910s to the1930s in Shanghai